11:19_03.22.2007: pressed firmly between the burning walls of a george forman

i have acquired the television. it is wonderful. it has knobs.

the piece goes on hold till two weeks. then final output begins.

if i felt at all comfortable with this piece id probably give up and leave it to gather dust.

the piece provokes every insecurity i have about my work, about myself.

and thats exactly how i like it.

that the shit. thats the art. thats the life.

3:07_03.16.2007: ink spilled on new black pants not so bad

where were we, we shot the wall and the older brother and cut it on the train with fresman in front of me going on about writing 121. sun shone in and blinded but felt good. wall scene good and tight, talked with robert. put all the pieces together so far and have 75% completion of imagery.

rather satisfied.
switched to Jamesons from Makers.
wear a smile at work now.


ding.

5:20_03.08.2007: the future is upon us like a dog upon his own vomit

1:49_03.08.2007: noitallatsni installation

a good idea of installation. TV. adorable. posters. sexy. sounds. immersive. light. haunting. darkness. essential. congestion. problematic.


i would prefer two doors into the room.

tomorrow we shoot "wall"

saturday, possibly up to portland to shoot the water closet.

the water closet. that makes sense.

12:36_03.05.2007: your praise makes me drive

Rendering sequence 2a. estimated length: 4 minutes 57 seconds. rendering time. 1.5 hours.

monologues scripted up to...secondary phase: 2. A: NMR rant, to be vocalised. B: Clown, subtitled with gibberish.

shoot schedule: friday night actor comes to town, maybe toshis ramen. saturday, rainy forecast. wal wall walll.

the music is classical, dark, downy.

have to sand the shard.

have to get science credit confirmed so i do not linger into summer.